Difference between revisions of "Teron Gervias"
| (4 intermediate revisions by the same user not shown) | |||
| Line 26: | Line 26: | ||
<br> | <br> | ||
<br> | <br> | ||
| − | [[File: | + | [[File:Histories.png|center|500px]] <br> |
| − | + | Older than many, but not old enough to have die with the rest. Has a long history of working with anyone who can pay. Not much is known beyond his ability to get things done and find information that is relevant.<br> | |
<br> | <br> | ||
<br> | <br> | ||
| Line 46: | Line 46: | ||
[[File:Beats from the Streets.png|400px]]<br> | [[File:Beats from the Streets.png|400px]]<br> | ||
| − | + | O vis aeternitatis – Mystical awe that feels like watching God almost notice you.<br> | |
| + | Viderunt Omnes – Sacred order stretched into something uncanny and inhuman.<br> | ||
| + | Music for a While – Emotional manipulation disguised as tenderness.<br> | ||
| + | Flow My Tears – Melancholy that performs sincerity while hiding culpability.<br> | ||
| + | Dies Irae – Judgment hanging in the air; hunters praying for your erasure.<br> | ||
| + | The End – Intimate apocalypse; secrets spoken too late to matter.<br> | ||
| + | Everybody Wants to Rule the World – Power pursued gently, smiling the whole time.<br> | ||
| + | A Forest – Chasing something that keeps retreating into illusion.<br> | ||
| + | Teardrop – Vulnerability weaponized through beauty.<br> | ||
| + | Bury a Friend – The monster speaking softly from inside the room.<br> | ||
| + | How to Disappear Completely – The Ravnos thesis statement.<br> | ||
| + | The Host of Seraphim – Final judgment without forgiveness; perfect for sacrifice endings.<br> | ||
| + | Cold Song – A soul forced into motion it never wanted.<br> | ||
| + | Requiem in D minor – Lacrimosa – Grief rendered beautiful enough to survive scrutiny.<br> | ||
| + | Symphony No. 7 – II. Allegretto – Relentless forward motion, masked as dignity.<br> | ||
<br> | <br> | ||
Latest revision as of 07:50, 28 December 2025
|

